I posted this for a previous topic, but it fits well here:
I often wondered why the liberal does this, that is, find stories to showboat as against the status-quo showing America or our culture as racist by finding rare stories of victims to make some point of racism, sexism, homophobia, islamophobia, imperialism, bigotry, or intolerance. David Mamet answered this for me. After he laid the premise of the protagonist in a play who is typically afflicted by a condition not of their making, thus, drawing a similarity to the political realm of someone “afflicted” with homosexuality, illness, being a woman, etc, saying they had merely acted and thusly could not have sinned, he furthers his point by saying:
These plays were an (unfortunate) by-product of the contemporary love-of-the-victim. For a victim, as above, is pure, and cannot have sinned; and one, by endorsing him, may perhaps gain, by magic, part of his incontrovertible status.
So the liberal, by emphasizing these “victim-hood” stories, absorbs to their psyche innocence, proving that they are peaceful, fair, tolerant, stand for the poor, disenfranchised, and care about the environment. Thus, better than those whom they just labeled. While many of these people will label religious folk as “holier than thou,” it is these priests of the victicrats [whether directed towards human plight or a perceived environment plight] that are replacing spirituality with “concern.” They are not just as religious, but are in fact fanatical in their positions. (Larry Elder defines a “victicrat” as someone who “blames all ills, problems, concerns and unhappiness on others.”) At least the religious person is being honest and keeping the categories straight. But I digress.